Comic Culture With Rafa

Comic Culture With Rafa: #011

Evil Machinations: Why I Love The Ultron Concept

An Editorial From Rafael Encinas

I have always liked robots. Robots are some of the coolest concepts in both science fiction and horror. Everywhere one may look, people can find a really interesting or horrific android, cyborg, or mechanical organism causing mayhem or becoming a central focal point to mainstream culture. Some examples include the Terminator, Hal 9000, Cylons, Sentinels, Johnny 5, or the Iron Giant. Therefore, because robots are so ingrained and customary to society’s ideas of collective mainstream entertainment and scientific culture, it is important to find the best and most unique robots in popular culture. Well, one of my favorite mechanized monstrosities would have to be Hank Pym’s megalomaniacal and genocidal sentient robot Ultron! Not only is Ultron a pretty sweet machine, but he is also a deadly super villain who has been more than the heroes could handle on more than one occasion in the Marvel Universe.

First of all, the origin of this villain is wild! Ultron is a criminally insane machine focused on destroying all human life. Built by Hank Pym to help the heroes and eventually replace the necessity of the Avengers, Ultron was meant to be a force for good and progress; a benevolent, sentient protector. Instead, what manifested was a self-replicating, highly intelligent artificial intelligence that created its own adamantium structured form to eradicate the human race; a race seen to be inferior, flawed, and unnecessary. He is a highly functional A.I. consciousness that can both reason and experience existential questioning. This leads to trouble for everyone!

What I like so much about Ultron is that he’s a fucking robot that is virtually unstoppable and unrelenting in his conquest. You destroy him, he’ll rebuild himself. You become too powerful; he’ll unleash an army of Ultrons on you. He is clever and practically immortal because of his adamantium shell and his insane power set (concussion blasts, radiation emitters, and the dreaded encephalo-ray), so it is very hard to physically damage him. And even if the heroes could destroy his body or fry his sentient-mainframe-consciousness, every time you destroy him, he’ll rebuild himself to be more efficient and that much more difficult to defeat. It is a matter of time; it is a game and a conflict that the heroes cannot practically win as time continues and Ultron evolves time and time again. This in itself is a horrifying thought. Imagine an immortal flying robot trying to kill you and all those you love, and not even earth’s mightiest heroes can save you. It is the dreams that science fiction entails!!

Practically, the most effective way to destroy him is to transport him to a parallel dimension to be someone else’s problem and hope he never comes back. THAT IS FUCKING CRAZY IF YOU THINK ABOUT IT! To jettison a homicidal, remorseless, computer program with an overpowered skill set into a neighboring dimensional existence is the most immoral thing I could possibly think of. You know this monster is going to kill everyone, and you can’t stop it. So you send it somewhere else, and it practically doesn’t exist to you anymore; but it does. And it is still killing. That’s fucked up on so many levels. God forbid he comes back. And this in essence is what exciting storytelling is all about.

Overall, Ultron is a fantastic super villain because he is basically unstoppable and is the manifestation of all the best parts of our collective popular-culture robots combined. Not to mention, his face is beautiful. Every time I look at my Marvel Legends: Marvel Iron Man Ultron toy, I see a nifty little robot with attitude and murderous intent. For real though, this Marvel Legends Ultron is highly posable with a sleek paint job and many practical points of articulation; seriously, it is way better than the Diamond Select version; I seriously recommend getting it; not the Diamond Select version though. That one is garbage. 

Comic Culture With Rafa: #010

Organic and Detailed Storytelling in “Mighty Morphin Power Rangers #40” and “Go Go Power Rangers: Forever Rangers”

A Review From Raphael Encinas

Storytelling is all around us. So much so, that stories are told and retold again and again for new audiences. Some stories are adapted from old stories, and fandoms are created to add more depth, detail, and passion to specific narratives. However, this does not mean that all stories are treated with the utmost care and affection. If the lore is not written with love and respect in mind, people can go absolutely insane. This is a double-edged sword though because on one side, it exposes an underbelly of toxic fandom entitlement, but on the other, it showcases the strong passion people have toward narration, no matter how misguided. Therefore, when a team is able to creatively care and respect source material while at the same time build upon a world that is rich with new ideas, and then works in tandem with already established lore, the final product becomes an absolute joy for fans worldwide. 

I believe we have reached absolute joy this week with the release of both BOOM! Studios’ wonderful Power Rangers titles, “Mighty Morphin Power Rangers #40” and “Go Go Power Rangers: Forever Rangers”. The release of these two different comics this week showcases exactly how a company can release powerful, energetic, respectful, new, and exciting material that both ends the current arc of the Power Rangers mythos while simultaneously opening a new chapter in the Power Rangers franchise. Spoilers Ahead. 

First and foremost, BOOM Studios! has gone to great lengths in giving us three years of awesome Power Ranger content in comic book form. We got to see the rangers updated and modernized for a present audience that both catered to old and new fans alike. Gone was the campiness of the 90’s television program in order to better fit a post “Avengers” and “CW Superhero Programming” world. Writers like Kyle Higgins, Ryan Parrott, Steve Orlando, Mairghread Scott, Brenden Fletcher, Kelly Thompson, and now Marguerite Bennett gave us new stories in familiar lore with familiar characters that explored the everyday and mundane to truly epic cross-dimensional adventures. 

We got to see the scale of Rita and Zordon’s origins and alien universe; we got to see the rangers cope with real feelings both at the highschool and cosmic level; we were introduced to exciting new characters like Grace, Matt, and Lord Drakkon; we even got to see the rangers experience prom. Whether big or small, each narrative plot point felt fully-realized and organic. The world felt like it was fully fleshed out, especially when certain events set-up in earlier issues would be revisited or expanded upon in later issues (I will get to this in greater detail soon).    

Furthermore, the fact that Power Rangers was adapted into comic format was awesome because they were now in a medium of publication among other superhero teams like The Avengers and The Justice League (whom the Power Rangers actually teamed up with in a dope crossover event). 

Moreover, the fact that the Power Rangers have been illustrated and colored by true titans of industry makes the series that much more exceptional. The art is always a highlight to these stories, and talented artists like Hendry Prasetya, Dan Mora, and Daniele Di Nicuolo (to name a few) bring the characters to life. It easily makes the experience of Power Rangers that much more impactful.

So basically, BOOM! Studios decided to give the fans a product that respected and cared for the fandom’s love of the Power Rangers. And I am so thankful for this. As a fan of comics and superheroes in general, I am no stranger to editorial having their way and completely butchering or destroying characters and story plots just on a whim with no thought of the fandom. This unapologetic disregard for lore and world building happens way too often.

However, the MMPR comic series has been dealt with the utmost care, and that is something rare. Of course, I also understand that not everyone sees the story as perfect. After all, there are many who were not fans of the recently concluded “Beyond The Grid” storyline, and I myself have been adamant about not wanting a Tommy centric narrative to drive the story moving forward (don’t worry; I’ll get to that). However, at its core, the creative team have handled this franchise with just the right amount of nostalgia and creative freedom to develop awesome storytelling. And it comes full circle with this week’s new releases. 

What is so special about these two comics is that they attempt to end one era of Power Rangers while making way for a new one. And it is done in a truly special and fun way that respects everything that has happened up to this point. 

First, Ryan Parrott’s “Go Go Power Rangers: Forever Rangers” is an immensely satisfying conclusion to the Rangers’ first year as heroes. And it is done in such a thematic way. Not only does it include a well-paced and earned final battle with this story’s antagonist, but it also sets the stage for what’s to come, specifically a new teammate in Tommy Oliver. The final pages are a call back to the first issue where we are introduced to each character with infographics and answers to specific criteria reminiscent of graduation questions. However, in this issue, the answers to these questions have evolved and grown like the rangers themselves.

We also get closure to many plot points, and we see closure to specific character arcs and characterizations. We get resolution to Rita’s internal struggles with her mother and the creation of the Dragon Ranger Coin. We get a glimpse into the creation of “Ranger Station” (which is a staple of Higgins’ MMPR Series). We see Kimberly start to accept and cope with her parents’ divorce as well as make amends with new character Matt. Hell, we even get a cool little call back to a memory in the Mighty Morphin Power Rangers Series (Issue #5) where we see Zack get kidnapped by Rita, but in this issue, it happens in real time. 

It is such a small moment that speaks volumes to the work that this team has done with the series. They care about the little details! And this is why it is important. The story is aware of all its finer details. Details that the writers and artists know Power Ranger fans find important. It is all connected, and it all feels special.

The issue ultimately ends with Jason, surrounded by his friends, as he gets ready for the Karate Expo. This is a wonderful homage to the original television episode where Tommy is introduced.  It ends with the addition of the sixth Ranger, and it is a thematic way to close this series because fans of the show all know what happens next. 

Furthermore, as this story ends, a new one begins. A new and exciting chapter for the franchise begins with the Necessary Evil storyline beginning with Mighty Morphin Power Rangers #40. In this issue we have a time jump with a White Ranger Tommy taking over leadership of the Power Rangers. We get a fun opening scene of Tommy leading the rangers against Putties in London, but it feels different. The team dynamics are off. And this is due to the introduction of new red, yellow, and black ranger teammates. 

This is familiar due to its source material: the infamous “Power Transfer” episode in the television program. Jason, Trini, and Zack go to Switzerland for a Peace Conference, and so they transfer their powers to three newcomers: Rocky, Aisha, and Adam. This was a turning point for me in the franchise as I was always resentful for the change in characters, especially considering that Jason was my favorite ranger. So, I was naturally wary of this new and continued storyline in comic book form.  

At first glance, I was not down to read a new chapter of my beloved comic series by reexperiencing Tommy’s golden years where the team became less about team dynamics and more about how awesome and special Tommy is. I also was not looking forward to these new characters after loving the original team so much. 

However, as I read the issue, I realized that Tommy also didn’t like this new change. I realized that Billy didn’t really care for the new dynamic either. And I read Kimberly as being openly hostile to the whole situation. Even the three new rangers felt misplaced and pressured. They felt like outsiders, and this felt tense; it felt real. I was pleasantly surprised to see that writer Marguerite Bennett was giving us the familiar story of the new Ranger team, but gone were the rose-tinted glasses. This was not a seamless change to the team like in the show. Instead, this change feels much more centered with deeper motivations, feelings, and consequences. And this is amazing. It adds so much weight and rich characterization for all those involved.

No longer was I seeing a charismatic and de facto leader in Tommy Oliver. One that was created from behind-the-scenes drama and favoritism as showcased in the television program. Instead, we get a more organic approach in that Tommy is put into a situation where he has no control. With these new powers come new responsibilities, and with Jason leaving to the peace conference, Tommy is left to fill that void of leadership; something that creates anger and frustration in the character. After all, he feels like his friends have left to “play peace” while he has to stay to save the world. This makes Tommy’s character arc moving forward much more interesting and human, and I am so excited to see it unfold. Bennett is able to make me feel for Tommy in the comics like I never did in the television show. She makes him relatable. 

But even with these new dynamics thrown in, the comic still delivers one last punch with its shocking and exciting reveal at the end of the issue. Jason, Trini, and Zack are not gone, like they were unceremoniously written off in the show. Instead we get a scene where they are video chatting with Billy and Kimberly. The three old rangers ask how things are going, they ask how the NEW them are doing.

Kimberly and Billy do their best to feign encouragement, but they do make note that the video chat has poor signal and they can barely see anything. This leads to the crazy reveal in a one-shot panel where we have Jason, Trini, and Zack in new Power Ranger gear on a different planet, somewhere “off the grid”. 

And with this one shot, we have so much set up to a whole new plethora of narrative options. Looks like these three rangers might be off on a super, secret covert mission. One that they must even keep from their closest friends. Consider me jacked, internet.

Like so many other people, I absolutely love the Power Rangers. These heroes showcase not only what happens when you taste the rainbow, but they also embody the very spirit in coordinated, family-team dynamics. What these writers continue to do after all these years is continue to add depth, maturity, brevity, and scale to a silly show about spandex wearing karate heroes. And it is all showcased with the love and detail inputted into these two new stories!

I am very much looking forward to what comes next, and I highly recommend this series. It is really good. 

Comic Culture With Rafa: #009

The Magic of Buffy: Excitement for the BOOM! Studios Reboot Comic Series

An Editorial From Rafa Encinas

As stated so often already by so many different editorials, Buffy the Vampire Slayer is one of those series that was just part of the cultural zeitgeist of the 21st century as soon as it manifested in the late 90s. Now with over 20 years of content and history, BTVS lives on in pop culture infamy, and for good reason. Joss Whedon created absolute magic with his quirky teenage fantasy/supernatural “coming of age” / “monster of the week” television program. It was witty. It was funny. It was passionate. And most importantly, it was important.

Growing up, Buffy and the Scooby Gang taught me the value of family, both the one you are born into and the one you make for yourself. Like for so many others, I felt this show was special because it was a show that felt inclusive. It normalized and humanized all walks of life. I have many friends who felt that identifying as “queer” became much more acceptable because the characters onscreen created a safe and fun environment where sexual orientation wasn’t just a trope. It was an everyday thing that just happened to be part of the show; its cultural significance was huge. Buffy was my hero, and this was one of the first times feminism would become a huge staple in my mindset.

Not only that, but besides its cultural significance, on a personal level, this was the first show that showcased an intense unpredictability. SPOILERS to those who have not watched the show, but I still remember the feeling of shock and awe I felt when Angelus snapped Ms. Calendar’s neck, when Joyce unexpectedly passed away, and the final episode with Anya. These moments still feel like fresh wounds that never healed. There was a formula to the show, but danger was at every turn no matter how light-hearted the humor. Anyone could die at any moment.

And this is part of the allure of the franchise; why so many avid fans continued with the comic book series long after the television series had ended. This story was wild and magical, and it still boasts some of the most relatable and hilarious moments of any television show. However, the fact that it is grounded in empathetic and realized human characters made it powerful and ambitious. We were part of the Scooby Gang, so their successes were our successes, and their losses were our losses. We were family.

This is why I am excited for BOOM! Studios to now be delivering a revamped and modernized take on the vampire slayer. With three issues already out at the point of this editorial, I cannot express just how much fun and excitement I have had reading through this new imagining of the characters of Sunnydale.

Jordie Bellaire is a perfect choice for writer because she manages to capture the charm and wit of the characters, as they monologue through their everyday lives, while still giving it a modern look and feel for 2019. Not only that, but illustrator Dan Mora is such an a amazing artist who is able to bring these real life characters to life on the pages. Buffy looks like Sarah Michelle Gellar. Willow looks like Alyson Hannigan! The art style is gorgeous with colors that pop and a fluid motion that reads smoothly.

Some may not like the pacing of the comics, but there is so much lore that needs to be established, so I am okay with it. Buffy feels like Buffy. Other characters with their slight redesigns are interesting. I like the new origins for both Anya and Spike. Giles has the whole “hot librarian” thing going on. I especially like how they are playing into Xander’s deep-seated struggles with inadequacy (I’m curious to see where this will lead). I am a little taken aback with Cordelia’s “positive” characterization, but I’m on board for something new. And then Willow feels different, but I like her new confidence and style. Overall, this feels familiar enough with some new talking points which feels exciting!

Overall, these are my general thoughts and feelings:

Things I have really enjoyed:

  • the colors and art direction that move the plot forward.
  • Buffy’s characterization is dead on! Sixteen-year-old Buffy is portrayed with the right amount of sarcasm and heroism seen in the television program.
  • The introduction of Spike; portrays all things cool. He seems more like an antihero than a villain at this point, and his interaction with Cordy was both interesting and enjoyable.
  • All the little Easter Eggs and call backs to the Buffy lore (such as Anya name dropping Wolfram & Hart, Xander’s profile name: The Xeppo, and the foundation for Spike & Giles’ inevitable banter).
  • Joyce and her boyfriend dynamic is new, and I am excited to see more.
  • Anya’s introduction as the keeper of ancient artifacts instead of just some revenge demon.
  • The comical introduction of Camazotz, Buffy’s pegasus. I’m excited to see what they do with this!

Things I am looking forward to:

  • Xander’s story and how it plays out. It’s an interesting dynamic to see how feelings of inadequacy and imposter syndrome can come into play when surrounded by powerful people.
  • The build of the Giles/Buffy father/daughter dynamic. I lived for these moments in the show.
  • The introduction of Angel! Can’t wait! It will probably be when I least expect it. Also, are we going to get Angel or Angelus!?
  • If no Angelus, I am looking forward to The Master! Hopefully, he’s got some cool stuff in store for Sunnydale and the hellmouth.
  • The further characterization of new characters Rose and Robin.

It feels good to see Buffy reimagined for a whole new generation of people to read and enjoy. I am excited to see new ideas and fresh takes on characters I love; I mean, I’m already digging the introspective Xander, the kind Cordelia, and the confident Willow. If you are a Buffy fan, I highly recommend you pick this series up. If not, pick it up anyway. It’s a quirky coming of age story with demons and vampires. It’s going to be awesome!

Comic Culture With Rafa: #008

The “Tommy Oliver Variety Hour” Coming To Comic Stands Near You!

An Editorial From Rafael Encinas

The “Tommy Oliver Variety Hour” Coming To Comic Stands Near You!

BOOM! Studios has done such a wonderful job at bringing the Power Rangers lore to new heights. I have been a devout Power Rangers fan for many years, and specifically, these past couple of years have truly been a blessing because of the talent, excitement, and respect that the comic book medium has brought to the franchise. I have been reading these amazing stories since they have come out in January of 2016, and I now have a reason again to buy single issues and to collect variant covers again without waiting, like I normally do, for the trade graphic novel. Moreover, I have especially liked the attention to detail and maturity that Kyle Higgins’ has given us in his stories and in his characterizations of the cast. Whether it be Mighty Morphin Power Rangers, Go Go Power Rangers, or Mighty Morphin Power Rangers: Pink, I have loved the new adventures and situations that these teenagers with attitude have gotten into.


However, with all good things, there is always room for improvement, and unfortunately, sometimes there is a growing frustration.  At Wondercon this past weekend, the BOOM! Studios panel revealed that starting with issue #21, the Go Go Power Rangers ongoing series would finally be introducing Tommy Oliver to the team; this in turn would begin the “Green with Evil” plot we have seen in the television program. The incorporation of Tommy into this series will coincide with Mighty Morphin Power Rangers’ issue #40 kicking off the new “Necessary Evil” storyline with a returning White Ranger Tommy.

So, basically, we are getting a whole lot of Tommy Oliver! This is great and exciting news if you are a Tommy fan, but Power Rangers is so much more than one single ranger.

Now, I do not mean to sound like a complainer. I mean, we have gotten some truly amazing stories these past couple of years. However, as many fans have pointed out on twitter and reddit threads, the love and focus on a certain Green Power Ranger has been at the forefront for these comics for some time now.  Afterall, this past year we have seen Tommy’s evil future doppleganger take the spotlight during the “Shattered Grid” storyline, and we even got “Saban’s Power Rangers: Soul of the Dragon” one-off graphic novel. Now, we are getting two heaping helpings of Saban’s Favorite Ranger in both the green and white variety. And honestly, this isn’t the color palette I’ve been craving.

Though I recognize the appeal for the Tommy character, after all, he is a foundation to what made Mighty Morphin Power Rangers so popular! However, I have always loved the power rangers for their team dynamics. The television show managed to change from the Mighty Morphin Power Rangers: teenagers with attitude in colorful spandex to the Mighty Morphin Power Rangers: The Tommy Oliver variety hour. I understand that Tommy was the cool Green Ranger, which I 100% loved as a kid; however, the shows got too focused on Jason David Frank’s character and the show was less about team dynamics and more about how many flavors of the Rainbow can Tommy fit into. Jason David Frank has probably done more for the franchise than any other ranger in the series, but at this point it is too much.

I am hoping that these stories will prove to be some powerful and engaging story arcs, after all, BOOM!Studios hasn’t failed me yet. However, it is disheartening when you see the spotlight on the same character over and over again, especially when there is such a rich history of so many awesome Power Rangers characters. But again, only the future will tell how we see these stories in tandem with their respective visions. I hope to see more Ranger variety in future stories.

Comic Culture With Rafa: #007

Doom & Justice: The Redemption of Lex Luthor

An Editorial From Rafa Encinas

I want to start this editorial by stating that Lex Luthor is a piece of shit. This is a bad man who has done some truly horrific and irredeemable things. However, I cannot deny the allure and magic of comic books, specifically when they do something crazy and exciting. Sometimes, comics try things that are too wild, but at other times, it is as if the sky aligns just right, and we are given something truly magical. Specifically, there are few things on this earth that are as magical or as masterfully written as the meticulous redemption of Lex Luthor.

Luthor is arguably Superman’s quintessential villain. Basically, he is that one kid in the classroom who calls you out for being too handsome, too intelligent, or too nice. That distrustful person who is convinced there is something wrong about you and will stop at nothing to reveal you for what you really are. Basically, Lex Luthor is a dick. Who else has made Superman’s life as miserable as a man who is always plotting to turn the world against its self-appointed champion; to take down the world’s symbol of hope and justice?

Lex has both been that figurative and literal thorn in Superman’s side for so many years! He’s taken on Superman at both physical and philosophical levels. Lex has tortured him. He has tried to destroy his image. He’s become president just to ruin Superman’s day. And he even had the gall to try and replace him when the Man of Steel died of kryptonite poisoning.

However, Lex Luthor, to me, is a stale character. He is a bitter man whose riches couldn’t buy the respect of other people, especially in a world where Superman would forever eclipse him. Over the years, he’s just been one dimensional and an egomaniac who has aimlessly tried to murder the Man of Steel. So, the idea of caring about this character never really crossed my mind. But, then Geoff Johns came along and the seeds of redemption and interesting character development were planted.

This was hinted at with the brilliant Forever Evil (2013) story in where Luthor assembles his own team of villains to take on the invading Crime Syndicate (an evil version of the Justice League from Earth-3). The Crime Syndicate systematically took over the earth, released all the villains from jail, and chaos erupted. So, Luthor takes matters into his own hands, and in a world without heroes, he assembles a team of killers to rampage and murder through the Crime Syndicate ranks which leads to some truly wicked scenes! It takes the approach that when all of the world’s heroes are gone, you have to fight evil with evil.

I’m not going to lie. Forever Evil (2013) is one of the highlights of the New 52 era of DC comics. This comic arc is straight up rock n’ roll! We get a bunch of bad guys being Earth’s last hope against violent invaders. This was super cool and fresh, and it began to paint Luthor in a different light. He was still a killer. We still see him fuck up some bad guys.

However, we also get a refreshing look into the sympathies and possible empathy of Luthor’s cold heart. We see him create Bizarro, and we see a hilarious, albeit tragic, story of father and son; Frankenstein and Frankenstein’s monster. This is some of the most humanizing and most beautiful work I have seen in comics in a long time. I mean, think about it, in a world plagued by darkness and where there is death everywhere, we have subtle moments shared between Lex and Bizarro that are both heartwarming and tear-jerking. We see truly heartwarming moments between characters who rarely have these moments to begin with. It is breathtaking.

Furthermore, Forever Evil (2013) gives Luthor an out. It gives him the perfect opportunity for good PR. We see him put a plan into action that actually works, to the chagrin of Batman. The world now sees him as a hero rather than the villain. And Lex, being the opportunistic genius that he is, grabbed this sentiment by the balls and just wouldn’t let go. Lex took his first steps toward heroism, though it can still be considered to be clouded in self-serving egoism & manipulation.

This was a special time in comics because it gave me something I never knew I wanted. It gave me riveting stories where we got to see the slow evolution of Lex Luthor from villain to hero. It was a snapshot of moments that truly showcased the magic of storytelling. Watching Lex join the Justice League and have an uneasy alliance with Superman was interesting to see unfold. I mean, it was comical to see this man, who was once hellbent on the destruction of the League, create a shaky PR image of himself fighting alongside Earth’s mightiest heroes.

But, fuck, it worked!

He was still a murderous despot. He was still responsible for the Amazo Virus. He still threatened to “blow-out” the spine of the Doom Patrol’s Chief Caulder.  But seeing the shimmer behind Luthor’s eyes change. To see his demeanor and voice change as he spent more time with earth’s heroes, and having more humanistic flaws, hopes, and weaknesses fleshed and made bare; to see the things that made Lex such a jerk (like his sister Lena), it made Lex a much more interesting and relatable character. I always think back to a conversation that Lex and Diana have in Justice League #34 (2011-2016)

Seeing Lex respond to genuine and kind human emotion is such wondrous writing because we get to see the inner workings of a man who thinks he is the “Superior Superman” actually have a chance to live up to the mantel. Something that he ultimately does take seriously by physically donning the symbol of Superman and trying to actually be Metropolis’ new titan after the actual Superman had died of Kryptonite poisoning during the events of The Final Days of Superman (2016).

Luthor experiences some truly insane things during his time in the Justice League (like taking over Apokolips, fighting the Anti-Monitor, and being shot by his sister). He has some truly life altering experiences that ultimately lead to the respect of the league which, for me, culminated in the shaky respect from Pre-Flashpoint Superman.

But is Luthor’s redemption necessary? Should it happen? And can he truly be a redeemable character? After all, he has done some truly diabolical things.

Some would argue that he is irredeemable. The crimes he has committed and his overall avarice make him a disgusting and terrible human being, no matter how many times he’s helped the Justice League. But, I argue that the fact he went through this positive character change made for some interesting and unique stories. I personally never felt more connected to the character until he started his redemption, and honestly, it’s fun to see what happens next.

Unfortunately, all good things must end, and it looks like Luthor has gone back to his menacing and conniving ways, most recently in Scott Snyder’s Justice League series (2018) where Lex went full super-villain and assembled the Legion of Doom to fuck up the Justice League’s day.

This is some exciting stuff because even though I am against Luthor’s return to villainy, there are moments in Snyder’s run where we see just how much Luthor’s turn surprises the League, especially Batman (Justice League #4). The fact that Batman was fully on board with Luthor’s reform, so his inevitable betrayal (all while inside Superman’s body by the way) was profound and chilling.

The redemption of Lex Luthor was a truly unique and interesting time in comics that I appreciated and enjoyed. Hopefully, once Lex is done breaking bad again, we will see something new. The fact that he returns to villainy because he believes it is within our nature to be evil (especially after the events of Dark Nights: Metal) and he honestly believes his time “playing” hero was all for naught is interesting, and I am excited to see what the Legion of Doom continues to bring to the table.

Maybe Lex Luthor can never be an actual hero. Maybe he will never be a Superior Superman, but none of that matters to him at this moment.  Luthor made his choice. He chose to embrace his true self. Fuck justice. He sided with doom.


Twitter

Twitter Feed:

Late Gamer Plays Far Cry: New Dawn
A Review From Hidai Moya
Graded: B
Checkout the full review on our website:
https://t.co/CsnwtbSPLE

**New Episode** We saw Apocalypse Now Final Cut in #IMAX and instantly recorded our thoughts! Did you get a chance to see it? What are your thoughts on the classic? We also read your unpopular opinions! Enjoy! #PodernFamily #FilmTwitter
https://t.co/1ZW9XgUYPk

Disney+'s 'Love, Simon' adaptation series has found its lead in 'Annabelle Comes Home' actor, Michael Cimino.
https://t.co/vqUYL7DPU2

Youtube has canceled its series 'Step Up: High Water' and 'Wayne', and is also not going forward with pilots 'Dark Cargo' and 'It’s a Man’s World'.
https://t.co/9udXfz0L9f

Load More...